I am interested in how participation in the creative process gives us insights that could not be obtained via other means. It enables a particular type of thinking or learning, one that can be generative and vital to our self-understanding and development. This applies to my personal practice, and to the projects I have undertaken with communities. Even though my preferred medium is paint, I work in a multidisciplinary way, incorporating sculpture, animation, film and textiles. 

A theme I return to again and again is people's memories and dreams of 'home' in its widest definition. I am currently working with the Kirkgate Centre in Cockermouth, the Baltic Centre of Contemporary Art and local communities on the theme of what a community arts space of the future might look like. 

Whether working alone or working with a community, I tend to incorporate basic making processes soon into a project, engaging the body, the senses in the 'thinking' process. It is now philosophically and scientifically agreed that we think as much through our bodies as we do through our minds, so it makes sense that we makes sure we incorporate our bodies in the process. In a time where our lives involve more and more screen-time and text-based communication, I like to rekindle people's love of making with their hands, to perhaps remind them of their connection to the natural environment. I also feel that making with our hands crosses cultural and language barriers more easily, and for me, listening to what other's think about the world is as important as anything I could impart to them. 


Celia Burbush is represented in the north of England by Fulton’s Lakes Jewellery Works, and The Makers Mill .