CELIA BURBUSH
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6/22/2021

In Open Spaces- making in a post-Covid era

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6/2/2021

Painting: traces of two types of matter

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I have started painting in earnest for the first time in my life, even though I have been learning and teaching it for decades. That is to say, I have begun to find a reason to paint.

A painting doesn't just carry the trace of a subject, of one type of matter. It is a trace of both the subject matter and the human maker, who leaves a trace of themselves in this mutable material*.  It is their gestures or lack of them, they leave visible in the work. In my painting practice, by focusing on certain sites, I am observing not only what the light makes of these sites, but what I, the maker, makes of them. 

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    Celia Burbush

    Pursuing an understanding of what we need to exist in the world: how do we connect with others (and the wider world and its objects),  what is our language.

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Celia Burbush
Mob: 07799627804
Email: [email protected]
Instagram: celiaburbush
Twitter: @celiaburbush777
Facebook: www.facebook.com/celiaburbush777
  • Home
  • Artworks
    • 'Into the interior' textiles
    • Cumbrian Mining paintings
    • People
    • Journey Portraits, 2022
  • Community Art
    • Memoirs of Doris Riley 2024
    • Maryport in Painting, 2023
    • Co-research with Kirkgate communities, 2022
    • story of we 2022
    • Journey Portraits, 2022
    • Light trails 2021
    • In Open Spaces 2021
    • Make it Now
    • Lockdown portraits 2020
    • How a Painting Speaks, 2018
    • These Four Walls 2017
    • Talking Tales 2017
    • Home is where the heart is 2017
    • Dreaming of home 2016
    • Life of a House, 2017
    • Dialogue with E numbers, 2014
    • Hour of the Star
    • Film Archive
  • News
  • ABOUT
    • Bio
    • Exhibitions
    • Experience
    • Reviews